For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.

For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.

For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.

For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.

Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.

Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.

Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.

Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.

A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.

A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.

A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.

Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)

Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)

Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)

A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.

The Dark Matter video is a digital animation. Based on the idea of the hypothetical 'dark matter' mass, an invisible component of the physical universe which has not yet been confirmed, the existence of a kind of 'digital matter' is pretended. The 6 min video loop shows a primordial soup of colourful structures in constant transformation, which are entirely generated by shader algorithms and 3D rendered.
Even though they seem to be based on microscopical material, or on telescopic views on distant galaxies, these images cannot be related to a non-ambiguous, real-world origin. The impression of a creation in process is captivating; beautiful on the one hand but disconcerting at the same time for the strangeness of its weirdly amorphous surfaces.