Monica Studer / Christoph van den Berg: Transit 504
17 January - 1 March 2014
Monica Studer, born 1960 in Zürich, and Christoph van den Berg, born 1962 in Basel. New media projects in collaboration since 1991, internet projects since 1996. 2003 visiting professorship for new media at the Kunsthochschule Kassel, GER. Both live and work in Basel, Switzerland
Digital Print, framed (wood/acrylic)
132 x 205 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Monica Studer / Christoph van den Berg Reflections, 2015Inkjet prints on photo paper
220 x 140 cm
Edition: 5
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
220 x 140 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
220 x 140 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Monica Studer / Christoph van den Berg Spell #2802, 2011Inkjet print on fotopaper on aluminium
159 x 147 cm
Edition: 5
Inkjet print on fotopaper on aluminium
171 x 138 cm
Edition: 5
Inkjet print on fotopaper on aluminium
141 cm x 162 cm
Edition: 5
Inkjet print on fotopaper on aluminium
141 cm x 144 cm
Edition: 5
Inkjet print on fotopaper on aluminium
178 x 143 cm
Edition: 5
Inkjet print on fotopaper on aluminium
160 x 140 cm
Edition: 5
Inkjet print on fotopaper on aluminium
139 cm x 140 cm
Edition: 5
Inkjet print on fotopaper on aluminium
137 cm x 154 cm
Edition: 5
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Polyamide laser sintered, 1 book (Atlas)
16 x 27 x 31 cm
Edition: 3
Polyamide laser sintered, CD
12 x 16 x 12 cm
Edition: 5
Polyamide laser sintered, earphones
13 x 33 x 24 cm
Edition: 5
Polyamide laser sintered, 2 (scientific) books
26 x 29 x 31 cm
Edition: 3
Paper objects: glued papercraft models, plotter cut from 3D
67 x 62 x 51,5 cm
50 x 35 x 30 cm (object)
Edition: 3
Polyamide laser sintered
75 x 60 x 42 cm
Edition: 3
Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)
Monica Studer / Christoph van den Berg Wasser 14, 2009Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Monica Studer / Christoph van den Berg Cervelat, 2009Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 440 cm, 2 panels: 140 x 220 cm each
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
220 x 540 cm (4 panels: 220 x 135 cm each)
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
120 x 310 cm
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
120 x 310 cm
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
79 × 87 cm
Edition of 7
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Digital animation
3D generated animation, HD 16:9 video (HD 720p25), loop 6min
beam projection or screen presentation
Edition: 10
Inkjet print on entrada rag bright 300 gr, 100% cotton
18,3 x 32,5 cm
Frame: 40 x 50 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Monica Studer / Christoph van den Berg Reflections, 2015Inkjet prints on photo paper
220 x 140 cm
Edition: 5
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
220 x 140 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
220 x 140 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Monica Studer / Christoph van den Berg Spell #2802, 2011Inkjet print on fotopaper on aluminium
159 x 147 cm
Edition: 5
Inkjet print on fotopaper on aluminium
171 x 138 cm
Edition: 5
Inkjet print on fotopaper on aluminium
141 cm x 162 cm
Edition: 5
Inkjet print on fotopaper on aluminium
141 cm x 144 cm
Edition: 5
Inkjet print on fotopaper on aluminium
178 x 143 cm
Edition: 5
Inkjet print on fotopaper on aluminium
160 x 140 cm
Edition: 5
Inkjet print on fotopaper on aluminium
139 cm x 140 cm
Edition: 5
Inkjet print on fotopaper on aluminium
137 cm x 154 cm
Edition: 5
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Polyamide laser sintered, 1 book (Atlas)
16 x 27 x 31 cm
Edition: 3
Polyamide laser sintered, CD
12 x 16 x 12 cm
Edition: 5
Polyamide laser sintered, earphones
13 x 33 x 24 cm
Edition: 5
Polyamide laser sintered, 2 (scientific) books
26 x 29 x 31 cm
Edition: 3
Paper objects: glued papercraft models, plotter cut from 3D
67 x 62 x 51,5 cm
50 x 35 x 30 cm (object)
Edition: 3
Polyamide laser sintered
75 x 60 x 42 cm
Edition: 3
Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)
Monica Studer / Christoph van den Berg Wasser 14, 2009Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Monica Studer / Christoph van den Berg Cervelat, 2009Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 440 cm, 2 panels: 140 x 220 cm each
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
220 x 540 cm (4 panels: 220 x 135 cm each)
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
120 x 310 cm
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
120 x 310 cm
Edition: 3
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
79 × 87 cm
Edition of 7
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
Digital animation
3D generated animation, HD 16:9 video (HD 720p25), loop 6min
beam projection or screen presentation
Edition: 10
Inkjet print on entrada rag bright 300 gr, 100% cotton
18,3 x 32,5 cm
Frame: 40 x 50 cm
17 January - 1 March 2014
Read more4 March - 30 April 2011
Read more3 November - 6 January 2007
Read more8 July - 21 August 2004
Read more12 December - 1 February 2003
Read moreDigital Print, framed (wood/acrylic)
132 x 205 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
Digital Print, framed (wood/acrylic)
132 x 205 cm
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.
App for Android, generative real-time 3D programming (AGK), installed on tablet Samsung Galaxy Tab A8, 10.5" display, 1920 x 1200 px,
tablet size: 24.6 cm x 16.2 cm x 0.7 cm
Edition of 5
For the reality check series, various objects were set up in the studio space on a white surface and digitized using photogrammetry. The photogrammetry technique uses many single camera shots around an object to calculate a spatial digital model, which then can be used in a virtual 3D surrounding. The still lifes, each a combination of digital device, tool, theory book, art catalogue, textile, fruit, or object of sentimental value, were set up and arranged in our studio space during the time of the covid lockdown.
When opened in the app, the camera view follows a program controlled path. This path, on which the camera rotates around the still life, is random generated in realtime; it never repeats.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on 300g Museo Portfolio Rag
29,3 x 52 cm, sheet 60 x 80 cm
Edition: 5
Digital still image prints from different stages of Passage Park.
On a level of content these prints could be compared to film stills from a running projection. As the projection is constantly changing based on random values, each print reflects a constellation which is highly improbable to reappear on the screen. Just like taking a photo snapshot from a moving scenery means pressing the shutter button at the right point in time, we try to catch the moment to trigger the screenshot. The stills we print are our selection from hundreds of individual takes.
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
220 x 140 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
220 x 140 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Inkjet prints on photo paper
220 x 140 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Inkjet prints on photo paper
80 x 90 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 280 cm
Edition: 5
A range of printed works in various sizes, based on the 3D scenery of the Transit 504 terminal and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Inkjet print on fotopaper on aluminium
159 x 147 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
171 x 138 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
141 cm x 162 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
141 cm x 144 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
178 x 143 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
160 x 140 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
139 cm x 140 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Inkjet print on fotopaper on aluminium
137 cm x 154 cm
Edition: 5
Series of wall objects.
Even though they are 2-dimensional shapes, the Spells are not primarily images but rather wall objects. Each of them is cut out from a 3D-rendered surface patch, which creates the illusion of a spatial 'splash' of some kind of unknown digital material. The name of "Spell" refers to magical spells as a metaphor of the uncontrollable part of generating images with the computer.
Polyamide laser sintered, 1 book (Atlas)
16 x 27 x 31 cm
Edition: 3
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Polyamide laser sintered, CD
12 x 16 x 12 cm
Edition: 5
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Polyamide laser sintered, earphones
13 x 33 x 24 cm
Edition: 5
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Polyamide laser sintered, 2 (scientific) books
26 x 29 x 31 cm
Edition: 3
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Paper objects: glued papercraft models, plotter cut from 3D
67 x 62 x 51,5 cm
50 x 35 x 30 cm (object)
Edition: 3
Photo: Serge Hasenböhler
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Polyamide laser sintered
75 x 60 x 42 cm
Edition: 3
A series of experiments with models of digital objects 'without a surface'. The 3D data set of each can be used to produce either papercraft or durable laser sintered models.
We like to think of mushrooms as a metaphor for change and connectivity. They consist of a huge invisible mesh of root fibres underground, and their visible parts can suddenly pop up at unexpected places.
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)
Thermo-inkjet print on fotopaper on aluminium
71,2 x 126,5 cm
Edition: 5
Series of 18 prints for the new Spa Suites hotel wing of the Grand Hotel, Bad Ragaz (CH)
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 440 cm, 2 panels: 140 x 220 cm each
Edition: 3
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
79 x 87 cm
Edition: 7
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
140 x 168 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
220 x 540 cm (4 panels: 220 x 135 cm each)
Edition: 3
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
120 x 310 cm
Edition: 3
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
120 x 310 cm
Edition: 3
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
79 × 87 cm
Edition of 7
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
219 x 148 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Thermo-inkjet print on fotopaper on aluminium
120 x 270 cm
Edition: 5
A range of printed works in various sizes, based on the 3d scenery of the Vue des Alpes landscape, hotel and its surroundings. While the single images of the Internet project are less important, because they have to hint at the continuity of the explorer's movement, the focus in the making of the prints lies more with a genuine composition and view.
Digital animation
3D generated animation, HD 16:9 video (HD 720p25), loop 6min
beam projection or screen presentation
Edition: 10
The Dark Matter video is a digital animation. Based on the idea of the hypothetical 'dark matter' mass, an invisible component of the physical universe which has not yet been confirmed, the existence of a kind of 'digital matter' is pretended. The 6 min video loop shows a primordial soup of colourful structures in constant transformation, which are entirely generated by shader algorithms and 3D rendered.
Even though they seem to be based on microscopical material, or on telescopic views on distant galaxies, these images cannot be related to a non-ambiguous, real-world origin. The impression of a creation in process is captivating; beautiful on the one hand but disconcerting at the same time for the strangeness of its weirdly amorphous surfaces.
Inkjet print on entrada rag bright 300 gr, 100% cotton
18,3 x 32,5 cm
Frame: 40 x 50 cm
Edition of 50