The table surface, made of champagne-colored mirror glass (Premium Rose Gold), has an irregular pentagonal shape that is scaled and mirrored to a floor plan of an existing entry room in a private museum. The frame of the table is welded from angle steel and has three legs.
Attached are five white chairs, created for an ideal white room in an exhibition at the Kunstverein München in 1999.
In 2021, the table was a central prop in an art film by Selma Doborac.

The work of Heimo Zobernig (b. 1958, Mauthen, Austria) spans an array of media, from architectural intervention and installation, through performance, film and video, to sculpture and painting. His practice across all these forms is connected by an interrogation of the formal language of modernism, at its most familiar in the tropes of the monochrome and the grid, yet also concerned with Constructivism, colour theory and geometric abstraction.