Chloé Delarue explores the aesthetic dimension of our affects through a wide range of materialities. She imagines scenarios and hypotheses about how our systems and structures of representation are reconfigured, becoming a substance, a material accessible to the computational modes of our existence. Her installations and sculptures where the effects of lure, pretense, mimetic, unfold and define a dense aesthetic environment with in particular a vast series of works appearing under the acronym TAFAA for Toward a Fully Automated Appearance, a cycle in motion that gives form to the sensitive ambiguities of this world troubled by its own replication.